Artist Interview: Bobby Birdman

Last week I had the honor of chatting with Bobby Birdman (AKA Robert Kieswetter) for an hour about a whole bunch of fun stuff. We waxed on and off about Serato and the current trends in DJing, his forthcoming album New Moods, and most importantly - just WHAT makes him so damn creative.

We have been a steadfast supporter and advocate for Mr. Birdman's music for years, and we think this interview's timing coincides with Mr. Birdman standing on the cusp of super-stardom in the indie and dance-rock genres.

*** If you are new to the Birdman sound, I recommend first picking up the album Heart Caves and then diving into Born Free Forever. These 2 LPs showcase Bobby Birdman's depth as an artist - he can deliver a heart-wrenching acoustic ballad over sun-drenched piano chords, or just as easily slam you in the chest with a dubby synth-pop melody. ***

The first single off the album "Only For a While" is available through RCRDLBL.com (see previous post/scroll down the page). Download it and pass it on- it's a jam.

So here it is, and I hope you all enjoy getting to know this super-nice, ultra-cool artist with a fresh new sound just as much as I fell in love his music when I first heard "I Will Come Again."

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So your album New Moods drops a month from now (10 November 2009). What are your feelings about that?

BOBBY BIRDMAN: Wow, yeah. Stoked! It's been a while. I'm excited to get it out there

What was the hardest part getting from Giraffes & Jackals to New Moods? and how is the new LP diff from anything you've done before?

BB: Hmm. The hardest part, I guess was just calling it finished...getting it "done" while living my life. I spent a lot of time tweaking and tuning and reworking pretty minute details on the record...but then again I spent a lot of time surfing and gardening and whatever

Oh you're a gardener too? Awesome. I have quite the rooftop garden. I'll send you some pics

BB: I wouldn't call myself a gardener, just yet... Mostly I mean I'm trying to keep plants alive. I've been taking a lot of clippings of native succulents and trying to keep em going.

Both gardening and surfing could be seen as 'zen' hobbies. I've always taken you to be very spiritual/tapped into the 'other' realm. "Centering" perhaps is a better word for the feeling you get from doing those kinds of things in Nature?

BB: Rad! Yeah, I think I approach gardening like I approach music making...learning by doing... without the aid of formal training or study, in an attempt to find some reward. I guess some 'center'. Same goes with surfing.

I've never surfed - always been fascinated. LOVE snowboarding/skating though. But I'm a Midwestern boy (Milwaukee) so surfing wasn't really an option!

BB: Yeah. I spent most of my childhood inland, so my surfing development was pretty arrested; skateboarding and later snowboarding became default substitutes.

LOVE the first single from New Moods "Only For a While". It's VERY cool. What's the next single going to sound like/do you know yet?

BB: Oh thanks! Hmm. I'm trying to remember what the next single is... we're making a video for a track that is much different in tone. Much slower pace, much more atmospheric.

You're unintentionally answering a kind of question I had.

BB: Then there's a couple jams coming up

LOVE the jams. But I have to say "Born Free" is one of my absolute favorite songs ever. From anyone. I really like that atmospheric molasses-sounding stuff too. But the question I wasn't even going to ask was how much control do you have over what gets released/cut/promoted/etc.

BB: Ah, thanks. Yeah, I really enjoy making that stuff. I think this record finds a nice balance between those poles - jam and molasses.

Most artists seem to not have too much control. Would you say 50/50 control between you and the label after you birth your baby and hand it over to the authorities?

BB: Uh, I have a lot of control, I'd say.

That's great!

BB: I've always worked with people/labels who I respect and get along with. Everyone I've worked with has been fully supportive and encouraging. Presently, I'm working with [the label] Fryk Beat, run by Eric "E*Rock" Mast. He and I are good friends and we share a pretty similar sense of humor. Which is pretty crucial, I think, to getting something done right.

Is there a video for "Only For a While?"

BB: There will be. We shot a bunch of footage a few months ago; there's still a lot of post stuff to be done.

Any idea when it'll drop? Any teasers you can tell me about it?

BB: I'm actually heading to Portland this weekend to edit with Eric. Hopefully it'll drop soon! As far as teasers go....it's "comedic". HA how's that for vague?

HA

BB: I'll say it's influenced by the Marx brothers... and Marmaduke

???? OK. Rad! Fair enough. If there is one message you want to get across with your music what is it?

BB: Wow. There is not one message I want to get across.

I guess wrapped up in that question is the implied question - why do you DO what you DO? Why aren't you a plumber for instance?

BB: I mean, I don't think I'm qualified to broadcast a "message".

... by message i mean feeling, wish, desire, dream. See I can be vague too!

BB: I think that I'm always doing the same thing record after record, in that I'm broadcasting an exaggerated or extrapolated version of themes in my life, ideas I'm grappling with in some attempt to make sense. I think each with each record I'm trying to articulate something, as a means to make it clear to myself. I guess that's an odd way to go about it, make something for others to consume as a means to do some personal "work"... but it's fun for me.

No, that makes sense. I think any writer of music or prose will tell you that while they write for an audience, they are really writing for inner-catharsis. I know you're kind of involved with the fashion world, right?

BB: What are you referring to? I think I know, but just to be clear...

The Band of Outsiders connection?

BB: Yeah.

I even remember back in the Heart Caves days there was talk about you, and I think t-shirts or something in the LA fashion scene?

BB: I like fashion, I guess! I like aesthetics, and clothing and design and objects... I can't afford most of it.

Likewise hehe. Why is it that the people who can't afford the nice shit are the ones who actually appreciate it?!

BB: Band Of Outsiders approached me and asked me to model for their website. I was super flattered. I'm a fan of Scott's [Sternberg] clothing for sure.

Nice. Well you certainly do have that model-esque physique

BB: Ha.

OK so now for some Tiger Beat questions. They'll be painless I promise.

BB: HA. Let's do this.

OK. Are you a coffee or tea person?

BB: I am a coffee drinker for sure. LA has pretty poor coffee.

Next. Movies? See them often? Faves?

BB: Wow. Yeah, I love movies. I have been watching an Australian surf movie by Paul Witzig called Evolution, from I think 1969 or '70. It's really beautiful. All film, no speaking. Some free music. Some pretty bad bluesy jams, too. Oh, I watched Time Bandits the other night. I really like interviews I've read with Terry Gilliam lately.

I think his career went from amazeballs - to shitballs. But I think Time Bandits is awesome.

BB: My friend [artist/musician] Matthew Chambers has turned me onto some great Cassavetes and Marx brothers films. I also love Caddyshack.

The Brothers Grimm movie he came out with a few years ago? Barforama! Even Monica Bellucci who is BEAUTIFUL couldn't save that movie. Sorry, but Terry Gilliam is a source of contention between me and a good friend hehe. Caddyshack is very Tao-ist.

BB: Ha. I'm super uninformed about Gilliam. I knew his Python animation and knew of his movies...I was mostly into the way he spoke in interviews. I think he's pretty free.

THAT I will agree with. He's very fascinating as a person. OK. So you're not a musician these days if you're not a DJ. As a DJ, I don't know how I feel about this yet, but where do you stand on this current phenomenon?
A) Do you DJ?
B) vinyl or MP3s.

BB: I have DJ'd several times. I can't say that I love it. I love it when my friends DJ. I respect the craft. I think E*Rock is great at it - vinyl, MP3, Serato or whatever... Also the legendary Juice Team DJ Crew which is States Rights Records' Steve Schroeder and YACHT's Claire L. Evans, with contributions from White Rainbow's Adam Forkner, tweaking some knobs. Sometimes I'll get involved, usually as moral support or vibe suggestion. If I'm Djing right now you might be getting some newer Lindsey Buckingham shit and the dance floor gets cleared.

Cool. I'm a vinyl purist at heart but since moving to NYC where there's no room for records in anyone's apartments, I have been moving more towards CDs/MP3s, and I'm about to pick up Serato I think.

BB: Yeah, seems like that's [Serato] what the kids are using these days. Vinyl is great.

I know. I feel so old in the scene here. It's run by 21-year-olds! So what are you listening to lately?

BB: Aside from that newest [Lindsey ]Buckingham record, Adam Forkner turned me onto this jerk music from LA, via this Jerkin with Jayhawk mixtape. That might be the only new music I'm really listening to today... oh and of course White Rainbow's new record [New Clouds] that drops next week, I believe.

OK who's the old girlfriend you always run back to when your new girlfriend dumps you? For me - it's the Smiths.

BB: Maybe it's been the Smiths for me at times....Fleetwood Mac, lately.

Last time I saw you was at this little tiny gallery thing in Brooklyn [Cinders]. And before that, the Cake Shop performance which was SOOO GOOOD if I can gush for a moment. Are you coming to new york any time soon!?

BB: I love that place [Cinders]. I hope so. Nothing set in stone right now, but tentatively maybe February or March. What's your favorite venue there right now?

Hmmm. For BIG shows, Town Hall is awesome because of the acoustics. Grizzly Bear for instance was SOOO amazing. Same with Jenny Lewis. Just GREAT sound. Rich sound. For small/smaller venues, I really like the Cake Shop. I liked Studio B a lot but it's closed now. That place was great. Some other newer places that deserve mention would be Le Poisson Rouge and Santos Party House.

BB: Cool



ARTIST: Bobby Birdman
ALBUM: New Moods
LABRL: Fryk Beat
CAT#: FRYK04
FORMAT: CD/LP/MP3
RELEASE DATE: Nov.10, 2009

TRACK LISTING:
01 Only For A While 3:41
02 Dust Design 2:42
03 What You Say 3:08
04 Weighty Wait 3:58
05 Victory At Sea 2:20
06 Bloody Mess 3:19
07 Silent But Violent 3:14
08 You'd Be Surprised 4:33
09 Setting Sun 4:17
10 Truth Be Told 3:29
11 Well Sprung 3:04
12 Back and Forth 2:41

Official Bobby Birdman Website

Bobby Birdman Myspace

PDF One-sheet / Press Release for New Moods

MP3: "Only For a While" via RCRDLBL.com

Ditties for Those Bitties

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New Beyonce AKA Sasha Fierce single "Broken-Hearted Girl"
Alan Braxe Remix - Radio Edit
Alan Braxe Remix - Dub

and cuz I like you guys -
Laidback Luke treatment of Beyonce's "Me, Myself and I"

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The King of Deep Sass-house, Derrick Carter NEVER disappoints!

What makes Derrick Carter so interesting as an artist and stand out as a powerhouse in the dance music industry? His talent for songwriting and production. What makes him stand out as a DJ? The style and ease with which he selects/mixes tracks during his live sets. Some adjectives that come to mind: flawless, funky, soulful, teasing, focused. Oh yeah, and there's this 'little' record label he ran called Classic Recordings. Heard of that? I hope so. They only released 100 tracks, as envisioned by Mr. Carter himself upon the inception of the label. Cool? Si. As a house DJ I think Classic is indispensable, treasured, and truly classic.

Personally, this 'army of one' has shaped the way I listen to music, the way I select records and my style of mixing. Derrick is not your average "I'm such a superstar international DJ". He keeps a low profile, and he has never used his influence to shamelessly self-promote the way some jocks do (ahem! I'm looking at YOU Europe/Australia blowhards). His sets, his label, and his recorded mixes are always showcasing not just his music, but music that has either been shaking asses for years, or will be shaking them for years to come. Some trivia that makes me love the guy even more - he doesn't OVER-USE the effects processor on the Pioneer CDJ when he plays live. You know those (C)DJs who think they can pull a fast one on the ears of their discerning audience by laying on the effects bravado extra-heavy. Barf. Derrick doesn't do that.

Here's a recent mix I really enjoyed because in it, we hear slamming house classics like "Feel my mother#*$@ing bass in your face!" blended with newer stuff that is sure to get serious play after having received the Derrick Carter seal of approval.
Derrick Carter - live at Bestival [Bollywood], Isle of Wight, Sunday 13th Sept '09 by Elite Music Management


This Roisin Murphy track is kinda old, but the twerk it has recently been given upgrades it to totally fresh & jacking. Check it out and let me know what you think. This one makes me wiggle!
Roisin Murphy - Ruby Bleu @ B.H.Q. (Derrick Carter remix)

And again, cuz I like you guys (and mostly cuz Derrick said it was OK ;)
LOVE THIS ONE. House heads should know it well -
2nd Shift - Somethin' Else (D's Disco Circus Revamp)

D's Wikipedia bio
Fan page on Facebook

New Music for Sweater Weather

Jona Bechtolt ( @teamyacht on twitter, and 1/2 of the band Yacht) posted a tweet urging followers to check out the new song from a fellow Pacific N. Westerner-turned-Californian - Bobby Birdman.

BB's voice is amazing. He's what many might call a "crooner". We don't have many of them left in our auto-tuned & synthesized world except for Harry Connick Jr. and a few others. Put another way he kinda sounds like Sinatra, et al. but with a twinge of bittersweet melancholy and a pinch of pop. If he HAD a breakout track it would probably be "Gone Beyond" from the album Heart Caves

though one of my personal favorites off the album (and what got me into BB in the first place) is the song "I Will Come Again." It's super-catchy, but somehow sounds familiar and well, joyful even though it's talking about what I assume must be reincarnation.

Now don't be confused - Bobby Birdman (AKA Robert Kieswetter) has been around for years. He has released 5 full length albums. He's been busy doing remixes and appearing on other artists' releases. But I've been following both of their careers, and it's really amazing to me that Bobby Birdman hasn't received the same amount of attention as for example, Yacht, whose album See Mystery Lights vaulted the now 2-person group to a more regal and mainstream status. Notoriety in music is a fickle thing, no? So often talented artists get overshadowed by other talented artists. But that's why I'm here, people - to maybe shed light on some gems that aren't on MTV or the Bravo Network (*yet*).

New Moods is the title of BB's much-anticipated album which is going to be released "Fall 2009" according to Rob's Myspace page http://www.myspace.com/bobbbirdman

Listen to/download the new Bobby Birdman track "Only For a While" here

I wish Rob TONS of success with New Moods. I know many people who are really excited to hear it. And I will not refuse an early Christmas present if Mr. Birdman wanted to advance me a demo of the LP ;)

Concert: Fever Ray at Webster Hall on Monday 9/28

Up above our heads smoke and lasers moved with each other to create the appearance of clouds. The audience was left dumbfounded feeling like we were floating in the sky with a badass soundtrack playing on the stereo. My crummy pictures do it no justice, but it felt like what I imagine a native American sweat lodge would feel like in terms of experiencing trance-like states. It was a similar feeling to being at a rave tripping on acid, but without the acid.

Fever Ray is touring to promote their self-titled first album which was released in March of this year on Rabid Records in Europe/the UK, on MUTE here in North America (<3 MUTE). The band is lead by Karin Dreijer Andersson who is one half of the critically acclaimed brother/sister duo The Knife.

Wikipedia bio for Karin

The album Fever Ray is a creepy ghostly bunch of songs. Many tiptoe and creak, or shutter with the sound of rustling leaves or doors opening. The stage design epitomized the theme of the album - old Victorian lamps flicker on and off to the beat, all is shrouded in mystery and darkness, skins of animals drape over the musicians and the stage looks like the ceremonial living room of a twisted occultist. Most of the players wear hoods. Smoke permeates everything.

The show was definitely something not to be missed, and I'm glad it lived up to everybody's high expectations. After all, the Knife set the bar pretty high. But Karin has definitely made a statement for herself here with the themes that inspired her to create this hypnotic sound. Looking forward to more music from this 'new' artist!

*****The vids below feature snippets from two of my favorite songs off the album - the first 2 are from "Keep the Streets Empty for Me", and the last one is "Seven". Some of the lasers here are AMAZEBALLZ especially in the 2nd video. I hope you like them!*****

New (*unreleased*) video for "Songs Remind Me of You" off Annie's album "Don't Stop"

So this song is probably my favorite off of "Don't Stop" and while the video isn't especially FANCY, it's still got Annie doing her cute shake shake shimmy smirk, and repeat.

The dress may look familiar? See my previous post below about the release of "Don't Stop". Apparently this video was shot during the photoshoot for the album cover/PR images.



Enjoy!

Hey Annie - Well Look At You! Is that a new label stuck on your shoe???

The Scandinavian pop princess Annie's much-anticipated, repeatedly-delayed album 'Don't Stop' is FINALLY getting released. Originally Annie was going to release this on Island Records but they had a little tiff, the album leaked on the internet, she dropped them (or did they drop her?), and since last year she was shopping this album around Europe and the States.

Well a tiny whacky label in her neck of the woods called Smalltown Supersound out of Norway picked it up, scratched a few tracks (like all the singles that already pressed - I Know Your GF Hates Me, Anthonio, etc.), and added one new track (I Don't Like Your Band).

I'm sure we can expect all the same bubble gum snot-face juxtaposition we have grown to love from Annie. But in all honesty, I'm kind of frustrated because this only means further delays in releasing her newEST material post-Island, post-Don't Stop. The fact that Don't Stop was such a mess in terms of PR and release/distribution/leaking all over the intrawebz has been shoved under the rug so that someone (probably Annie and the label) can cash in. Yeah, leaking is bad, stealing music is bad... but everyone has done, or is doing it... so let's digest, accept that and move on.

We LOVE that your album is getting released Annie, but WE WANT NEW STUFF!!! And it pains me to say this because I got "Greatest Hit" when it came out on vinyl YEARS before Anniemal was released... but Annie, maybe you need to take a cue from your viking friends Datarock and really look at how successful they have been in terms of PR/press releases/email updates/contests/giveaways/etc. You update your blog regularly on Myspace, but I'd rather hear more about your new projects and less about your cat Joey.

XOXO,
Corocet

from Pitchfork:
http://pitchfork.com/news/36189-annies-idont-stopi-finally-coming-out/

This is apparently the new Don't Stop album cover. Daddy likes.
Photo by Aki-Pekka Sinikoski

Latino parents- your 'kid' is 25 now. He's as tall as me. I think it's time to put away the baby bottle, pacifier and stroller!

OK. I have to get something off my chest that's been bothering me for quite some time now.

If I see one more over-doting Latino parent pacifying their 9-year-old with a bottle I am going to kill someone or possibly many someones***. It is ridiculous and kinda sad, and IM feeling kind of ignorant because I never knew how common a disparity it was/is until I moved to NYC.

Here's what the Academic Pediatric scholarly journal says about this:

http://www.sciencedirect.com/science?_ob=ArticleURL&_udi=B94TX-4VCH8S5-8&_user=10&_rdoc=1&_fmt=&_orig=search&_sort=d&_docanchor=&view=c&_acct=C000050221&_version=1&_urlVersion=0&_userid=10&md5=351033719d84d8a0e075d4a02aa5730c

*** Readers- Please don't comment about my racist ways. You should know by now that I am an Equal Opportunity Hater. Duh. We're celebrating differences here, people. Your own Corocet loved his binky (did anyone else call pacifiers that?) but gave them up willingly around the tender age of 3.

HARASS THIS SCAMMER!!!

he sold me bunk Peaches tickets! HOW RUDE!

it says "Sorry, but the number you have called has a voicemail box that hasn't been set up yet. Goodbye!"

but it IS a valid number and he IS getting these calls/texts. LOL STRENGTH IN OUR NUMBERS!

646-675-6522

Auto-Tune the News #2

I can't stop watching this.

I have to watch at least 5 times a day. And in that 5 times, I have to watch Katie Couric at least 3 times.

Love:




Whatchew tryin' to say 'bout Iowa?!

FAT PANDA = NO SEX

HAHAHA

thanks pandafix.com


Panda too fat for sex


i love this newscaster for asking the question we all were thinking.

this is a true gem.

SongSmith from Microsoft

So microsoft launched this new software called SongSmith

http://www.pcworld.com/article/156667/at_ces_microsoft_introduces_the_unexpected_songwriting_software.html



and in case you are deaf/missed that video above, it is ridiculous. And NOT in a good way.



These "ads" make me want to puke all over myself repeatedly. And again - that's not a good thing. I mean so what I'm in advertising. It doesn't take a marketer to realize that their commercials are cheesy out the ass.

But this isn't just a slam piece, cuz that's only half the fun of discovering something as bad as SongSmith people.



So it seems there is one redeeming thing about SongSmith -- Zack Scott is not alone -- A LOT of people are posting videos on YouTube of SongSmith's interpretation of classic songs. And the result (as you can see and more importantly HEAR below) is effing funny. Like 'WTF did I just drop acid and forgot about dropping acid?'

This is but one song from many that YouTuber azz100c posted.

Be your own Judge.

Tossed Salad Party at The Tool Box on Thursday 1/22!!!

Don't forget the dressing!


DJ = COROCET (me)

GO GO BOYS!

DRINK SPECIALS!

New Playlist - Not Everyone Understands House Music!

something to get your feet moving this winter!


xo
corocet

Repost CUZ IT'S THAT GOOD PEOPLE

in case you missed my posting this back in November (tsk tsk shame on you!)

here you go:

Inland Knights Mix from Fabric, London - October 2008
Here it is folks.

THE FULL 2 HOUR SET

And damn it tastes good.

enjoy:

http://soundcloud.com/inland-knights



Corocet

this kid's got the right idea (kind of)?!?

Kid Beats Up Water Cooler - More amazing video clips are a click away

Animal Collective and Web Sheriff say boo to Grizzly Bear

This article is kinda old (November), but nevertheless relevant because the whole hubbub is over a song ("Brothersport") from AC's newest album which is about to drop (Merriweather Post Pavilion - varying dates, approx. LP 1/12, CD 1/20).

From pitchfork:

Grizzly Bear Apologize to Animal Collective for Leak
"This is no laughing matter"

Grizzly Bear photo by Ahmed Klink

"Brothersport" was the first earful the downloading public got of Merriweather Post Pavilion, Animal Collective's forthcoming follow-up to 2007's most excellent Strawberry Jam. But we weren't supposed to hear it quite yet. Merriweather Post Pavilion comes out January 12 in the UK and January 20 Stateside.
"Brothersport" made its way to the internet well before Animal Collective's label Domino intended it to. The members of Grizzly Bear got their hands on the track and linked to it from the blog on their website this past Wednesday, with singer/songwriter Ed Droste noting that he hadn't "fallen in love with an Animal Collective song so hard since 'Leaf House'!"

But the love was fleeting, thanks to the internet's own Inspector Clouseau, the Web Sheriff. According to a message from the Web Sheriff posted on the Grizzly Bear blog [via Stereogum], the Sheriff accused the Grizzly Bear blog of serving as the "global-leak-source of the track." The message continued, "As such, both the individuals collectively trading/performing as 'Grizzly Bear' and, indeed, yourself are personally liable for to our said clients for all commercial and other losses arising from this blatant act of piracy." ("Our said clients" means Animal Collective.)
The band took down the MP3 of the tune, and posted an apology to Animal Collective, Domino, and the Web Sheriff, as mandated by the Sheriff. The text of the apology: "Following contact from Web Sheriff, we can confirm that Grizzly Bear has withdrawn its stream of unreleased material by the Domino Records artist Animal Collective: Grizzly Bear wish to apologize to Animal Collective, Domino and Web Sheriff for the disruption caused to their marketing and release plans by this leak."
The Sheriff continued, "As you will appreciate, this is no laughing matter and, as such, should you refuse or otherwise fail to comply with the above request, we would ask you, in the alternative, to simply provide us with the details of the US attorneys, UK solicitors, French advocats and German advocats whom you would instruct in relation to the service of such multi-jurisdictional proceedings as shall ensue."
The band are required to keep the apology up on their site for a week.
Neither Grizzly Bear, Domino, nor Animal Collective had a comment on the matter, though Domino did confirm that they hired the Web Sheriff. Many labels use the Web Sheriff to combat leaks; hell, we wouldn't be surprised if Warp uses it (him?) for the next Grizzly Bear album.

Speaking of that next Grizzly Bear album, the band members are currently recording their follow-up to 2006's Yellow House and last year's Friend EP, and if they're not in internet prison by then, they'll join Final Fantasy and the Brooklyn Philharmonic February 28 at the BAM Howard Gilman Opera House.
Animal Collective, meanwhile, take to the road in January.

AC:

01-12 London, England - Koko
01-13 Glasgow, Scotland - Glasgow School of Arts
01-14 Manchester, England - Club Academy
01-15 Brighton, England - Concorde 2
01-16 Paris, France - Bataclan
01-17 Leuven, Belgium - Stuk Kunstencentrum
01-18 Berlin, Germany - Postbanhof
01-20 New York, NY - Grand Ballroom
01-22 Chicago, IL - Metro
01-23 Los Angeles, CA - Fonda
Video: Animal Collective: Brothersport [live in Lyon, France]
Video: Grizzly Bear: Fine For Now [new song, live at the 2008 All Points West Festival]
Posted by Paul Thompson and Amy Phillips on Mon, Nov 24, 2008 at 4:50pm

New Annie News! YAY

http://www.exclaim.ca/articles/generalarticlesynopsfullart.aspx?csid1=128&csid2=844&fid1=35608


perhaps a double album?

eeeeeeeeeeee